Konica Minolta Dimage A2 User Manual

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Konica Minolta DiMAGE Z1

Apr 20, 2004  Back in January 2003 Konica and Minolta announced that they would merge and form the single company 'Konica Minolta'. Cisco ip phone 7911g user manual. Just over a year since that announcement, at PMA 2004 the new Konica Minolta announce four new cameras which carry the new Konica Minolta branding and logo. The DiMAGE A2 is a follow-on to the DiMAGE A1. Essentially this camera is identical to the A1 apart from its sensor.

We recommend that you check with your local dealers for the specifications and appearance of the products available in your country. Gigabyte rx 580 8gb user manual. Product specifications and product appearance may differ from country to country. Colors of products may not be perfectly accurate due to variations caused by photographic variables and monitor settings so it may vary from images shown on this site.

  • View and Download Konica Minolta DiMAGE Z2 instruction manual online. Konica Minota DiMAGE Z2 Digital Camera INSTRUCTION MANUAL. DiMAGE Z2 Digital Camera pdf manual download.
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to determine the optimum focus, twice the rate of most digital cameras on the market today. All
this translates into a 0.3 second focusing time at a focal length of 5.8mm and 0.4 seconds at
58mm, giving the DiMAGE Z1 the world’s fastest AF among digital cameras with a built-in 10x
or greater optical zoom.*
Although the DiMAGE Z1 uses complex AF technology, focusing the camera couldn’t be easier.
The user simply places the subject anywhere within the focus frames and the camera does the
rest; an AF sensor is briefly displayed so the subject can be confirmed.
Konica Minolta’s Progressive Capture
Konica Minolta’s new drive mode, Progressive Capture, makes sure photographers never miss a
shot. When the shutter-release button is pressed and held down, Progressive Capture begins
saving images in the buffer memory. A user simply watches the action on the monitor and when it
is over, releases the shutter button and the images in the buffer memory are saved to the memory
card catching the moment. Six frames are saved when using standard continuous advance and 10
frames when using UHS continuous advance. Standard continuous advance records at
approximately 1.5 frames per second at any image size or quality setting. Ultra High Speed
(UHS) continuous advance records 1.2 megapixel images at 10 frames per second.
High Quality VGA Movie
The DiMAGE Z1 doesn’t just capture still images. High-quality VGA (640 x 480) movies at 30
frames per second can be recorded. Image size and frame rate can be selected to balance image
quality with file size. Three image sizes are available: 640 x 480, 320 x 240, and 160 x 120.
Because of the high frame rate of the CCD, movies may be shot at 30 frames per second to create
natural flicker-free images, or 15 frames per second to maximize recording time. The length of
the movie is only limited by the memory card capacity, image size, and frame rate.
Because the DiMAGE Z1 can capture large, high-quality VGA (640 x 480) movies, image
sharpness and brightness is very important. During recording the DiMAGE Z1 will continue to
focus to provide the sharpest possible image. The night-movie mode can make color recordings
under extreme low-light conditions.

Konica Minolta’s CXProcess II
CxProcess II, Konica Minolta’s new image-processing technology, is employed to bring out the
best in the 3.3 megapixel 1/2.7 interline primary-color CCD. CxProcess II controls the essential
image qualities of color, contrast, and sharpness while minimizing noise. Brilliant, saturated color
remains vibrant without becoming unnatural or flat. Subtle contrast is rendered to retain the
richness and depth of the subject while preserving details in the highlights and shadows.
Sharpness is controlled by balancing resolution with acutance to show fine detail while
minimizing hard, unnatural edges.

Unique LCD & Viewfinder
The DiMAGE Z1 is equipped with Konica Minolta’s unique Switch Finder. This unique system
allows the camera’s LCD monitor to be viewed directly or through the viewfinder. Since a single
monitor is used, photographers won’t need to worry about the color, contrast, and resolution
difference between separate rear and viewfinder monitors. Because of the viewfinder’s large
apparent angle of view, the monitor image is large and clear.
The camera’s Real Motion LCD monitor uses a 60 frames per second frame rate. This Real
Motion frame rate brings the live image to life by the ability to show action smoothly compared
to the slower 30 frames per second rate of conventional monitors.

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